Fantasy.fr offers you an exclusive interview of Michael Moorcock legendary author of The Eternal Champion cult serie shown through Elric, Corum, Hawkmoon or with such writings as Gloriana, The War Hound and the World's Pain or Mother London.
Michael Moorcock: That was probably seeing FANTASIA during WW2. Everything was grey and bleakoutside. On screen were colours I'd never actually seen before. Especially indigo. And SNOW WHITE contained images which continued to scareme for years afterwards!
Michael Moorcock: He's more of a mix of myself, Zenith and the 19th century Gothic/Romantic characters -- Byron, Melmoth and so on, I suspect he would be pretty much the same if he were born today, since the influences (including Robert E. Howard) would likely be the same. I never read a huge amount of generic fantasy after the age of 17 or so, perhaps because by that time I was writing my own! I wrote a series of articles called ASPECTS OF FANTASY in the same magazine in which I introduced the first Elric stories and they pretty much reflect my tastes to this day. I wrote about what I considered the Jungian/Freudian elements in heroic fantasy and haven't really changed my mind. I'm still inclined to reach for them when planning a new Elric story, as well as Shakespeare. The Shakespeare is based on the idea that even if you produce something fairly ordinary you should at least try to write to the best standards. The resonances of Shakespeare made me aim as high as possible within the conventions, of course, of the sword and sorcery story!
I'm not, of course, claiming that my work comes close to such a great writer, just that it helps me turn out a slightly more ambitious story!
Michael Moorcock: Universal have shown no serious interest for some time, since generally they have not done well with ambitious fantasy projects. Chris Weitz isn't, in my view, likely to find another major studio for a while.
Michael Moorcock: I turned down a movie for years and am still inclined to turn a movie down unless I completely trust the director/producer.I have enjoyed writing new Elric stories and am about to sign with a new company who want to produce new comics as well as put all the old ones back into print. I have written a video game which was very satisfying to me because, again, I trusted the company -- that was Silverheart -- but I'm not at all interested in producing 'the mixture as before'.
Michael Moorcock: Michael has wanted to do Elric since he was a boy and I think he has the right instincts and crew to make it work. His main producer [Samuel Hadida] lives in Paris and we'll be getting together later to discuss the realities of putting either an Elric or Hawkmoon project together.
Michael Moorcock: A friend of mine, who ran the Royal Shakespeare Theatre, once described this as 'the anxious ownership' syndrome. One of my acquaintances in Texas even complained that he had 'not been consulted' over the movie. That's like me saying because I edited an Edgar Rice Burroughs fanzine as a kid I should have been consulted over A Princess of Mars. I see this mostly as a typical case of 'I'm a fan therefore I own what I love'. Bassett clearly hoped to do the Howard stories once he had established the character. The film didn't do great box office -- and still hasn't opened in the US yet but it's making a lot of money as a DVD, so it could still happen. A friend of mine who is a dedicated Howard collector and fan says he thinks the movie is great and has watched it some 15 times! So clearly opinions are divided!
Michael Moorcock: Whenever I'm asked about becoming an heroic fantasy writer I suggest that the reader stop reading fantasy altogether and read everything else instead.
Michael Moorcock: Writer. I never wanted to do anything else. But if I had to choose another job it would either spend more time on my music or perhaps go infor acting.
Michael Moorcock: Not any more. For years, when I had children growing up, I worked to a very strict routine. Now I still work every day but not necessarily to the same times. Once a book is going, however, it is still likely to bewritten to something close to a daily 10-6 routine.
Michael Moorcock: I set myself the task of writing a space opera as if written by PG Wodehouse, since I'd always seen the Doctor as that combination. Dr Who has 'appeared' before in Cornelius novels, for instance. He's an English institution, like pantomime and seaside pierrots, so it was a real pleasure to work on a book featuring him.
Michael Moorcock: I suppose I don't expect them to be appearing much after I die...
Michael Moorcock: Fabrice and I were introduced by a mutual friend and I admire what he does. He seems the ideal person to bring a new, contemporary angle of attack to the Elric stories. I'm enjoying working with him. He has an original turn of mind. I'm really looking forward to the first one coming out.
La version française de l'interview de Michael Moorcock est disponible ici.


Jar Jar Binks en 3D.
La suite de G.I. Joe, le réveil du Cobra.
Consulter tous les commentaires